{"id":1604,"date":"2025-04-08T16:00:47","date_gmt":"2025-04-08T19:00:47","guid":{"rendered":"https:\/\/humanas.blog.scielo.org\/en\/?p=1604"},"modified":"2025-04-08T14:10:19","modified_gmt":"2025-04-08T17:10:19","slug":"artistic-characteristics-of-contemporary-western-paintings-and-its-philosophical-basis","status":"publish","type":"post","link":"https:\/\/humanas.blog.scielo.org\/en\/2025\/04\/08\/artistic-characteristics-of-contemporary-western-paintings-and-its-philosophical-basis\/","title":{"rendered":"Artistic Characteristics of Contemporary Western Paintings and its Philosophical Basis"},"content":{"rendered":"<p><strong>Jiawei Wang, Sahmyook University, Seoul, Korea.<\/strong><\/p>\n<p><a href=\"https:\/\/humanas.blog.scielo.org\/en\/wp-content\/uploads\/sites\/2\/2025\/02\/trans_glogo.gif\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-1578 size-full\" title=\"Logo of the Trans\/Form\/A\u00e7\u00e3o journal\" src=\"https:\/\/humanas.blog.scielo.org\/en\/wp-content\/uploads\/sites\/2\/2025\/02\/trans_glogo.gif\" alt=\"Logo of the Trans\/Form\/A\u00e7\u00e3o journal\" width=\"300\" height=\"63\" \/><\/a>The article, <a href=\"https:\/\/doi.org\/10.1590\/0101-3173.2024.v47.n6.e02400328\" target=\"_blank\" rel=\"noopener\">The philosophical basis and artistic characteristics of contemporary western painting<\/a>, published in the journal <em>Trans\/form\/a\u00e7\u00e3o <\/em>(2024, vol. 47, no.6),\u00a0 explores the artistic characteristics and philosophical origins of contemporary Western painting as the main direction and analyzes the impact of modern aesthetics, art markets, and philosophical thinking on Western modern art. This diversity makes contemporary Western painting works more diverse and complex, blending with contemporary society and aesthetic tastes, constantly promoting the development and changes of art.<\/p>\n<p>The guiding role of philosophical thinking in artistic creation and development is one of the important factors determining the direction of contemporary painting art. Different philosophical perspectives and trends have had a profound impact on the perspectives and creative methods of the artists. The characteristics of contemporary Western painting art demonstrate the subversion and alienation of tradition, besides highlighting individual and ethnic characteristics.<\/p>\n<div id=\"attachment_1605\" style=\"width: 1318px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/humanas.blog.scielo.org\/en\/wp-content\/uploads\/sites\/2\/2025\/04\/Imagem1-1.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1605\" class=\"wp-image-1605 size-full\" title=\"Photograph of the painting &quot;Abstraction&quot; by Gerhard Richter\" src=\"https:\/\/humanas.blog.scielo.org\/en\/wp-content\/uploads\/sites\/2\/2025\/04\/Imagem1-1.jpg\" alt=\"Photograph of the painting &quot;Abstraction&quot; by Gerhard Richter\" width=\"1308\" height=\"1018\" srcset=\"https:\/\/humanas.blog.scielo.org\/en\/wp-content\/uploads\/sites\/2\/2025\/04\/Imagem1-1.jpg 1308w, https:\/\/humanas.blog.scielo.org\/en\/wp-content\/uploads\/sites\/2\/2025\/04\/Imagem1-1-300x233.jpg 300w, https:\/\/humanas.blog.scielo.org\/en\/wp-content\/uploads\/sites\/2\/2025\/04\/Imagem1-1-1024x797.jpg 1024w, https:\/\/humanas.blog.scielo.org\/en\/wp-content\/uploads\/sites\/2\/2025\/04\/Imagem1-1-768x598.jpg 768w\" sizes=\"auto, (max-width: 1308px) 100vw, 1308px\" \/><\/a><p id=\"caption-attachment-1605\" class=\"wp-caption-text\"><em> Imagem: <a href=\"https:\/\/pt.quizur.com\/trivia\/caracteristicas-de-arte-contemporanea-IkBL\" target=\"_blank\" rel=\"noopener\">Quizur<\/a><\/em><\/p><\/div>\n<p>The contribution of the research lies in exploring the characteristics of contemporary Western painting styles, philosophical foundations, and distinguishing the path of Western painting surpassing tradition, thus establishing a connection between the artistic essence and social influence of painting art. The research results have reference value for the innovation and localization of contemporary Chinese painting art.<\/p>\n<h3>To read the article, access<\/h3>\n<p>WANG. J, The philosophical basis and artistic characteristics of contemporary Western painting.\u00a0<em>Trans\/Form\/A\u00e7\u00e3o\u00a0<\/em>[online]. 2024, vol. 47 no. 6 [viewed 8 April 2025]. <a href=\"https:\/\/doi.org\/10.1590\/0101-3173.2024.v47.n6.e02400328\" target=\"_blank\" rel=\"noopener\">https:\/\/doi.org\/10.1590\/0101-3173.2024.v47.n6.e02400328<\/a>. Available from: <a href=\"https:\/\/www.scielo.br\/j\/trans\/a\/XvB5g4BXwffKRLzcZBF8mrd\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.scielo.br\/j\/trans\/a\/XvB5g4BXwffKRLzcZBF8mrd\/<\/a><\/p>\n<h3>References<\/h3>\n<p>AL-BAHLOLY, S. History regained: a modern artist in Baghdad encounters a lost tradition of painting. <em>Muqarnas <\/em>[online]. 2018, vol. 35, no. 1, pp. 229-272 [viewed 8 April 2025]. <a href=\"https:\/\/doi.org\/10.1163\/22118993_03501P010\" target=\"_blank\" rel=\"noopener\">https:\/\/doi.org\/10.1163\/22118993_03501P010<\/a>. Available from: <a href=\"https:\/\/www.academia.edu\/37869572\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.academia.edu\/37869572\/<\/a><\/p>\n<p>BATTERSBY, D. English prize essay contemporary realism, postmodernism, and bodily feeling: Ian McGuire\u2019s the north water. <em>English <\/em>[online]. 2018, vol. 67, no. 256, pp. 1-22 [viewed 8 April 2025]. <a href=\"https:\/\/doi.org\/10.1093\/english\/efy009\" target=\"_blank\" rel=\"noopener\">https:\/\/doi.org\/10.1093\/english\/efy009<\/a>. Available from: <a href=\"https:\/\/academic.oup.com\/english\/article\/67\/256\/1\/4913677\" target=\"_blank\" rel=\"noopener\">https:\/\/academic.oup.com\/english\/article\/67\/256\/1\/4913677<\/a><\/p>\n<p>COLLA, M. Postmodern architecture in socialist Poland: transformation, symbolic form and national identity. <em>The journal of architecture <\/em>[online]. 2022, vol. 27, no. 2\/3, pp. 468-472 [viewed 8 April 2025]. <a href=\"https:\/\/doi.org\/10.1080\/13602365.2022.2126158\" target=\"_blank\" rel=\"noopener\">https:\/\/doi.org\/10.1080\/13602365.2022.2126158<\/a>. Available from: <a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/13602365.2022.2126158\" target=\"_blank\" rel=\"noopener\">https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/13602365.2022.2126158<\/a><\/p>\n<p>DEKKER, E. The astronomical framework underlying the Sala di Galatea. <em>Nuncius<\/em>. 2018, vol. 33, no. 3, pp. 537-561.<\/p>\n<h3>External Links<\/h3>\n<p><a href=\"https:\/\/www.scielo.br\/trans\/\" target=\"_blank\" rel=\"noopener\">Trans\/Form\/A\u00e7\u00e3o \u2013 TRANS<\/a><\/p>\n<p>Trans\/Form\/A\u00e7\u00e3o \u2013 Journal:\u00a0<a href=\"https:\/\/www.instagram.com\/revista.transformacao\/\" target=\"_blank\" rel=\"noopener\">Instagram<\/a>\u00a0|\u00a0<a href=\"https:\/\/www.facebook.com\/RevistaTransFormAcao\" target=\"_blank\" rel=\"noopener\">Facebook<\/a>\u00a0|\u00a0<a href=\"https:\/\/unep.academia.edu\/TrevistadefilosofiadaUnesp?from_navbar=true\" target=\"_blank\" rel=\"noopener\">Academia.edu<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The characteristics of contemporary Western painting art demonstrate the subversion and alienation of tradition, highlighting individual and ethnic characteristics. Exploring the artistic characteristics and philosophical origins of contemporary Western painting as the main direction, and analyzing the impact of modern aesthetics and philosophical thinking on modern art. <span class=\"ellipsis\">&hellip;<\/span> <span class=\"more-link-wrap\"><a href=\"https:\/\/humanas.blog.scielo.org\/en\/2025\/04\/08\/artistic-characteristics-of-contemporary-western-paintings-and-its-philosophical-basis\/\" class=\"more-link\"><span>Read More &rarr;<\/span><\/a><\/span><\/p>\n","protected":false},"author":730,"featured_media":1605,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[7,110],"tags":[146,111],"class_list":["post-1604","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-press-release","category-trans","tag-philosophy","tag-trans-form-acao"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/humanas.blog.scielo.org\/en\/wp-json\/wp\/v2\/posts\/1604","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanas.blog.scielo.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanas.blog.scielo.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanas.blog.scielo.org\/en\/wp-json\/wp\/v2\/users\/730"}],"replies":[{"embeddable":true,"href":"https:\/\/humanas.blog.scielo.org\/en\/wp-json\/wp\/v2\/comments?post=1604"}],"version-history":[{"count":2,"href":"https:\/\/humanas.blog.scielo.org\/en\/wp-json\/wp\/v2\/posts\/1604\/revisions"}],"predecessor-version":[{"id":1610,"href":"https:\/\/humanas.blog.scielo.org\/en\/wp-json\/wp\/v2\/posts\/1604\/revisions\/1610"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanas.blog.scielo.org\/en\/wp-json\/wp\/v2\/media\/1605"}],"wp:attachment":[{"href":"https:\/\/humanas.blog.scielo.org\/en\/wp-json\/wp\/v2\/media?parent=1604"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanas.blog.scielo.org\/en\/wp-json\/wp\/v2\/categories?post=1604"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanas.blog.scielo.org\/en\/wp-json\/wp\/v2\/tags?post=1604"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}