{"id":283,"date":"2018-10-22T15:00:29","date_gmt":"2018-10-22T18:00:29","guid":{"rendered":"https:\/\/humanas.blog.scielo.org\/en\/?p=283"},"modified":"2023-04-27T13:43:56","modified_gmt":"2023-04-27T16:43:56","slug":"the-brazilian-journal-on-presence-studies-and-the-repercussion-on-the-francophone-world","status":"publish","type":"post","link":"https:\/\/humanas.blog.scielo.org\/en\/2018\/10\/22\/the-brazilian-journal-on-presence-studies-and-the-repercussion-on-the-francophone-world\/","title":{"rendered":"The Brazilian Journal on Presence Studies and the repercussion on the Francophone world"},"content":{"rendered":"<p><strong>Gilberto Icle, Editor-in-chief of the Brazilian Journal on Presence Studies, Porto Alegre, RS, Brazil<\/strong><\/p>\n<p><a href=\"https:\/\/humanas.blog.scielo.org\/en\/wp-content\/uploads\/sites\/2\/2018\/10\/rbep_logo.gif\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-273 size-medium\" src=\"https:\/\/humanas.blog.scielo.org\/en\/wp-content\/uploads\/sites\/2\/2018\/10\/rbep_logo-300x81.gif\" alt=\"\" width=\"300\" height=\"81\" srcset=\"https:\/\/humanas.blog.scielo.org\/en\/wp-content\/uploads\/sites\/2\/2018\/10\/rbep_logo-300x81.gif 300w, https:\/\/humanas.blog.scielo.org\/en\/wp-content\/uploads\/sites\/2\/2018\/10\/rbep_logo-150x40.gif 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Josette F\u00e9ral (2015) is one of the most influential researchers in \u200bPerforming Arts in the Western world. She has been a professor for a long time at the <em>Universit\u00e9 du Qu\u00e9bec \u00e0 Montreal<\/em>, Canada and, in recent years, at the <em>Universit\u00e9 Paris 3 &#8211; Sorbonne Nouvelle<\/em>, France.<\/p>\n<p>As a member of the Scientific Council, Josette F\u00e9ral is an active participant in the journal management, especially in the diagnosis of emerging issues in the field and suggesting international calls.<\/p>\n<p>Research in Scenic Arts in the French-speaking world has two important centers in Quebec and in France &#8211; hence we understand that these regions (and even the French language) are key to research in the area. The diversity of themes and methodologies employed in these countries are quite unique and, more than that, quite different from those of the Lusophone and Anglophone worlds. This difference is crucial for knowledge production in a developing area. The research in Scenic Arts in France, for example, is specially based on historiography and aesthetics. Her contribution is particularly expressive in this theme &#8211; something quite noticeable in the articles originally produced in French published by the Brazilian Journal on Presence Studies.<\/p>\n<p>Since 2011 we have published 43 articles in French and \/ or translations of texts by French-speaking researchers. The number of articles received, however, was much higher. In the same way, we count on an expressive number of francophone readers. The insertion of the journal in the environments of French-speaking researchers and readers was mainly due to the intense communication and dissemination work in French language performed by the journal and the repercussion of expressive and recognized works published in the Brazilian Journal on Presence Studies called by the French \u201c<em>Revue Br\u00e9silienne des \u00c9tudes de la Pr\u00e9sence<\/em>\u201d.<\/p>\n<p>Next, check out Professor Josette F\u00e9ral\u2019s testimony on the journal and the research panorama on Scene Arts in the Francophone world.<\/p>\n<p><iframe loading=\"lazy\" title=\"Conversa com Josette F\u00e9ral sobre o mundo franc\u00f3fono\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/UOvuFAhtGNk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h3>Reference<\/h3>\n<p>F\u00c9RAL, J. <em>Al\u00e9m dos limites<\/em>. S\u00e3o Paulo: Perspectiva, 2015.<\/p>\n<h3>External link<\/h3>\n<p>Revista Brasileira de Estudos da Presen\u00e7a &#8211; RBEP: <a href=\"http:\/\/www.scielo.br\/rbep\" target=\"_blank\" rel=\"noopener noreferrer\">www.scielo.br\/rbep<\/a><\/p>\n<h3>About Gilberto Icle<\/h3>\n<div id=\"attachment_269\" style=\"width: 160px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/humanas.blog.scielo.org\/en\/wp-content\/uploads\/sites\/2\/2018\/10\/Gilberto-Icle.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-269\" class=\"Gilberto Icle wp-image-269 size-thumbnail\" title=\"Gilberto Icle\" src=\"https:\/\/humanas.blog.scielo.org\/en\/wp-content\/uploads\/sites\/2\/2018\/10\/Gilberto-Icle-150x150.jpg\" alt=\"Gilberto Icle\" width=\"150\" height=\"150\" \/><\/a><p id=\"caption-attachment-269\" class=\"wp-caption-text\">Gilberto Icle<\/p><\/div>\n<p>Gilberto Icle holds a PhD in Education from the <em>Universidade Federal do Rio Grande do Sul<\/em>. He is a tenured professor at the Postgraduate Program in Education at the <em>Universidade Federal do Rio Grande do Sul<\/em> and at the Postgraduate Program in Performing Arts at the <em>Universidade de Bras\u00edlia<\/em>. He is a 1D productivity fellow at CNPq. e-mail: <a href=\"mailto:gilbertoicle@gmail.com\">gilbertoicle@gmail.com<\/a><\/p>\n<h3><\/h3>\n<h3><\/h3>\n<h3><\/h3>\n<h3>About Josette F\u00e9ral<\/h3>\n<div id=\"attachment_285\" style=\"width: 160px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/humanas.blog.scielo.org\/en\/wp-content\/uploads\/sites\/2\/2018\/10\/Josette.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-285\" class=\"Josette F\u00e9ral wp-image-285 size-thumbnail\" title=\"Josette F\u00e9ral\" src=\"https:\/\/humanas.blog.scielo.org\/en\/wp-content\/uploads\/sites\/2\/2018\/10\/Josette-150x150.jpg\" alt=\"Josette F\u00e9ral\" width=\"150\" height=\"150\" \/><\/a><p id=\"caption-attachment-285\" class=\"wp-caption-text\">Josette F\u00e9ral<\/p><\/div>\n<p>Josette F\u00e9ral is a critical, theoretical and emeritus professor at the <em>Universit\u00e9 Paris 3 Sorbonne Nouvelle<\/em>, France. Her research topics are: analysis of theatrical performance, performative scene, arts and technologies. She is a researcher and author of several books and articles in more than 15 languages. e-mail: <a href=\"mailto:josette.feral@sorbonne-nouvelle.fr\">josette.feral@sorbonne-nouvelle.fr<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This post presents a survey of the impact of the Brazilian Journal on Presence Studies in the Francophone world. The important French researcher, Josette F\u00e9ral, talks about the journal and the research in Scene Arts in the macro-dimension of the French-speaking world. <span class=\"ellipsis\">&hellip;<\/span> <span class=\"more-link-wrap\"><a href=\"https:\/\/humanas.blog.scielo.org\/en\/2018\/10\/22\/the-brazilian-journal-on-presence-studies-and-the-repercussion-on-the-francophone-world\/\" class=\"more-link\"><span>Read More &rarr;<\/span><\/a><\/span><\/p>\n","protected":false},"author":51,"featured_media":286,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[6,94,45,93],"tags":[147,95],"class_list":["post-283","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interview","category-rbep","category-rbep-week","category-video","tag-arts","tag-revista-brasileira-de-estudos-da-presenca"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/humanas.blog.scielo.org\/en\/wp-json\/wp\/v2\/posts\/283","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanas.blog.scielo.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanas.blog.scielo.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanas.blog.scielo.org\/en\/wp-json\/wp\/v2\/users\/51"}],"replies":[{"embeddable":true,"href":"https:\/\/humanas.blog.scielo.org\/en\/wp-json\/wp\/v2\/comments?post=283"}],"version-history":[{"count":8,"href":"https:\/\/humanas.blog.scielo.org\/en\/wp-json\/wp\/v2\/posts\/283\/revisions"}],"predecessor-version":[{"id":1007,"href":"https:\/\/humanas.blog.scielo.org\/en\/wp-json\/wp\/v2\/posts\/283\/revisions\/1007"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanas.blog.scielo.org\/en\/wp-json\/wp\/v2\/media\/286"}],"wp:attachment":[{"href":"https:\/\/humanas.blog.scielo.org\/en\/wp-json\/wp\/v2\/media?parent=283"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanas.blog.scielo.org\/en\/wp-json\/wp\/v2\/categories?post=283"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanas.blog.scielo.org\/en\/wp-json\/wp\/v2\/tags?post=283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}