The Revista Brasileira de Estudos da Presença has implemented important changes by adopting Open Science practices with a focus on IDEIA principles, being a pioneer in the area of Performing Arts in Brazil. Prior to this, the journal already followed similar principles, as evidenced by the thematic section “Performance and Ethnic-Racial Relations”, published in 2017. … Read More →
Metamorphosis, friction or symbiosis between body and animated forms in the work of Ilka Schönbein
The works of puppeteer and dancer Ilka Schönbein challenge perceptions of life and death, provoking reflections on eroticism and finitude. Her creations reveal a poetic singularity that provokes disquieting strangeness in the relationship between the human and the animate. … Read More →
Performing Arts research highlighted on the blog “SciELO in Perspective”
The Revista Brasileira de Estudos da Presença Special Week, taking place this week, will explore themes such as the notion of presence, methodological diversity, and social issues in Performing Arts research. The program includes analyses, discussions and a detailed overview of the journal’s social impact, highlighting its importance and activities within the scope of Open Science. … Read More →
The future of RBEP and the field of Arts in Brazil
What is the role of the Brazilian Journal on Presence Studies as a vehicle to divulge arts research in Brazil? What to expect for the future? What are the plans? And, at last, how the Arts area sees the journal in its mission to disseminate knowledge production? … Read More →
How to disseminate scientific research in Performing Arts?
The history of art journals in Brazil is recent. This indicates the size of the challenges for quality publishing. How to publish without perishing? What does the publication of scientific output in performing arts mean? How can challenges and difficulties be faced as solutions? These are recurrent issues for journals in search of excellence. … Read More →
Decolonial research methodologies on scenic arts
What search methodologies for which objects? The central issue of this article is to know, based on the idea that the methodologies we have come from a colonial matrix, how to create decolonial methodologies for non-colonial objects. How performance gets into this equation? … Read More →
Dance, performance and gender
Gender is a fundamental category in art research in the contemporary world. In the same way, it is a founding element of decolonial concerns. This research will question the gender category within the performance and its crossings as an element for the deconstruction of a colonial thought. … Read More →
The challenges of an arts journal in the Anglophone world
What are the challenges for a Latin American arts journal in the English-speaking world? How to compete with large publishing corporations? How to keep publishing in open access? How to ensure the quality on disseminating foreign and Brazilian research? … Read More →
What can an art journal in terms of internationalization?
How can a journal serve as an element of exchange between foreign researchers? How does the Brazilian Journal on Presence Studies echoes in the world? How to imagine the journal’s future in the area from a Latin American and plural look? … Read More →
Decolonize the curricula in scene arts
The study challenges the dance and performance curriculum in higher education. Is the curriculum a colonizer? What can a decolonial curriculum do? How to deconstruct the curriculum in arts? These are the issues discussed in the study. … Read More →
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